This is very simple dynamic processor from Alesis company. It has only three controls -input(also a compression amount control),release,and In , Alesis Studio Electronics, and associates put on the market a range of effects and processors numriques, called MICRO SERIES. The Alesis MICRO LIMITER is a true stereo in/stereo out compressor/limiter which is used for automatic gain riding, peak limiting, and special effects on both live.
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Alesis Micro Limiter –
Furthermore, each box comes with its own 9 volt power supply and an excellent manual. Not satisfied with those reviews? This device, like the noise gate, is essential in any studio. Subscribe to our free newsletter Subscribe.
Every musician eventually learns about the problems caused by noisy leads and devices such as chorus pedals, etc. This limiter provides a powerful and warm. All three, I’ve posted in that order, between a pre-amp and mixer.
This machine was the ideal test-bed for the noise gate. As with all early attempts at polyphony, my string synthesizer was based on simple electronic organ technology and involved an enormous number of connections in a wiring ‘loom’. Personally, the separate mains adaptor is a minor annoyance.
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If this sounds like a rather savage technique to apply to an acoustic chain that you’ve probably spent hours attempting to perfect, then you’re perfectly right. However, if money is a problem, I would find it very hard to recommend the Micro Enhancer.
However, I still could not give the Alesis unit top marks because of the effect bypass switch on the front panel, which generates a considerable ‘thump’ when the switch is used. The first product in the Micro series was the bit Microverb which, like its larger forebears, produces real studio quality digital reverb at a truly affordable price. I do have some reservations, alrsis.
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If you intend rack-mounting these devices all three slot neatly together, side-by-side, to facilitate this then you should consider using a patchbay limmiter some sort so that you can simplify the connection process. We understand when ds, that this instrument is the specialist in tonn, but in contrast, trs intuitive, IDAL is for musicians like me who do not want to take the head!
The control functions are as follows: The latest additions to the series are three effects boxes: The Threshold pot sets the transition point of the gate from open to closed; the Delay control allows you to set the time taken for the gate to close after the signal has fallen below the threshold level; and the Rate control sets the rate of closure of the gate.
The manual states that this is because the limiter was designed to be “more musically useful”, which is a little difficult to comprehend. To briefly explain, the process involved in psychoacoustic enhancement not something used by Alfred Hitchcock to ‘pep up’ Anthony Perkins prior to the famous ‘shower scene’ is a very subtle technique described as a mixture of high frequency boosting, compression and harmonic generation designed to resynthesize the upper harmonics of sounds which are otherwise lost in the recording process.
However, the problem of silent switching reared its ugly head yet again. The effect is most useful in, say, the recording of vocals when the vocalist isn’t perhaps aware of how loud he or she may be.
The release deuxime potentiomtre, middle Determines the time taken by the compressor to recover the original gain in the threshold-dea. Finally the output right will catch the loss level, due to compression, and a db can trs bad!
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Can you imagine what it all can give! If you’re like mocro and have a neighbour whose idea of a quiet Sunday afternoon is to spend two hours sanding the front door with the Black and Decker he got for Christmas, then a noise gate is essential if you’re to cover up all of the minor annoyances such as ‘spikes’ on the mains supply that tend to make your recordings sound like an advert for a well-known breakfast cereal.
Finally, I can’t understand why the bypass switching on these units is not silent.
Are they the Accessit range of the Eighties? The ‘noise gate’ is a simple technique that mutes the output stage of the audio path when the signal drops below a predetermined level so, although the ‘snaps’, ‘crackles’ and ‘pops’ are still there, the noise gate mutes them during the quiet passages of your music and, consequently, they are not as obvious. At a time when I’m attempting to cut down on the number of leads that invariably get too muddled to sort out properly, having three extra leads dangling in the way is no joke.
Possibly Alesis think that it is more ‘musically useful’ to have the device permanently connected and to only use the bypass switch for setting-up purposes? But nothing really tangible that you could say ‘Yes, there’s definitely a psychoacoustic enhancer in there. Also, the Alesis effects boxes are definitely of a sturdier construction than the RCL A ‘noise gate’ is basically a means of electronically ‘masking out’ the general background noise that tends to be generated by all types of electronic equipment.
I tested the Micro Enhancer on a number of sources: To finish then, I would recommend both the Micro Gate and Micro Limiter to anyone with serious aspirations but with limited cash.